The New Tenants Oscars 2010

The New Tenants wins the Best Live Action Short Film award at the 82nd Academy Awards More at Oscars 2010
The New Tenants has won the award for the Best Live Action Short Film at the 82nd Academy Awards. American director Gregg Helvey’s 19-minute film “Kavi”, about a young boy who wants to play cricket and go to school, but is forced to work in a brick kiln, lost the best short film, live action Oscar to “The New Tenants”.
Joachim Back and Tivi Magnusson walked away with the award for telling the story of a prying neighbour, a glassy-eyed drug dealer, and a husband brandishing both a weapon and a vendetta in “The New Tenants”.
Roger Ross Williams and Elinor Burkett bagged the short documentary Oscar for ‘Music by Prudence’, while Nicolas Schmerkin got the best short animated film award for ‘Logorama’.
The venue of the 82nd Academy Awards is the Kodak Theatre. In this eventful evening, many winners have already been announced. ‘The Hurt Locker’ won the award for the Best Original Screenplay, where Christoph Waltz won the award for the Best Supporting Actor. Director Pete Docter has also picked up his very first Oscar for the animated flick ‘UP’ which won the Best Animated Film Award at the 82nd Academy Awards.
The other nominees of the show are waiting with bated breath, their acceptance speeches ready, and they are hoping against hope that their name would be called out, and they would get honored in this eventful evening too.
Harnish Hamilton is directing the 82nd Academy Awards ceremony, whereas Bill Mechanic and Adam Shankman are producing it. Like the co-host Alec Baldwin, it is also the director – Harnish Hamilton’s debut at the Oscars. The 5-times Oscar-nominated composer Marc Shaiman will be the music director for the 82nd Academy Awards.
March 8, 2010 | Posted by Admin
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Great video ! Thank you. We are all one family!
Michael J forever the King of Pop always in my heart.
Your video is great! So is the concept with song! Thank you Michael ! LOVE
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I was able to catch a prescreening of Alice in Wonderland tonight on March 2nd. Despite some pretty nifty visuals, and jaw dropping set pieces, I found the movie to be incredibly dull, flat, and utterly full of itself. The film is merely a vehicle for Johnny Depp to showcase his talents, and he portrays the Mad Hatter as an actor who can’t quite find the right shoes to fill in the role. He rotates from a Scottish brogue, to a feminine lisp, and staggers once in awhile as the unmistakable character of Captain Jack Sparrow. Where the visuals triumph, the story lacks. The proposed ’sequel’ to Alice in Wonderland is literally a rehash of most of the finer points of the original, except a lot more Johnny Depp- a character who the audience is supposed to sympathize with and root for, but who i found a bit annoying and tiresome after awhile. The plot is fairly simple. Alice (the stone faced, newcomer Mia Wasisoska whose acting is limited to mildly concerned, mildly puzzled, and mildly agitated) flees from an arranged marriage proposal from a wealthy lord. She follows a curious white rabbit and tumbles down a hole into Underland, referred to as Wonderland by Alice. She then meets a variety of odd characters, most of them familiar from the original Alice. The plot is fairly simplistic, and a tad boneheaded. The Red Queen (Bonham Carter, slightly overdoing it, but arguably the best actor of the bunch) rules the land, but is pitted against the tiresome goodness and light of her sister, The White Queen (Hathaway doing an air-headed imitation of, you guessed it, Captain Jack Sparrow). Alice is destined by some ancient scroll to defeat the Jabberwocky and end The Red Queen’s reign of terror. Alice boils down to mere eye candy-something that is visually pleasing, but is only a piece of fluff. If your a fan of Burton’s Charlie and the Chocolate Factory, this movie is right up your ally. I prefer Burton at his best with movies that attempt to involve the audience like Edward Scissorhands, Ed Wood, and Big Fish. However, this bloated mess is sure to rank in hundreds of millions of dollars, but it tugs at our wallets rather than our hearts. It’s a scary thought, but I hope that Burton’s best work isn’t behind him. 4/10
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